Life Of Pi
I came to Mullah Street. I had a peek at the Jamia Masjid, the Great Mosque, being careful to stay on the outside, of course. Islam had a reputation worse than Christianity’s—fewer gods, greater violence, and I had never heard anyone say good things about Muslim schools—so I wasn’t about to step in, empty though the place was. The building, clean and white except for various edges painted green, was an open construction unfolding around an empty central room. Long straw mats covered the floor everywhere. Above, two slim, fluted minarets rose in the air before a background of soaring coconut trees. There was nothing evidently religious or, for that matter, interesting about the place, but it was pleasant and quiet.
I moved on. Just beyond the mosque was a series of attached single-storey dwellings with small shaded porches. They were rundown and poor, their stucco walls a faded green. One of the dwellings was a small shop. I noticed a rack of dusty bottles of Thums Up and four transparent plastic jars half-full of candies. But the main ware was something else, something flat, roundish and white. I got close. It seemed to be some sort of unleavened bread. I poked at one. It flipped up stiffly. They looked like three-day-old nans. Who would eat these, I wondered. I picked one up and wagged it to see if it would break.
A voice said, “Would you like to taste one?”
I nearly jumped out of my skin. It’s happened to all of us: there’s sunlight and shade, spots and patterns of colour, your mind is elsewhere—so you don’t make out what is right in front of you.
Not four feet away, sitting cross-legged before his breads, was a man. I was so startled my hands flew up and the bread went sailing halfway across the street. It landed on a pat of fresh cow dung.
“I’m so sorry, sir. I didn’t see you!” I burst out. I was just about ready to run away.
“Don’t worry,” he said calmly. “It will feed a cow. Have another one.”
He tore one in two. We ate it together. It was tough and rubbery, real work for the teeth, but filling. I calmed down.
“So you make these,” I said, to make conversation.
“Yes. Here, let me show you how.” He got off his platform and waved me into his house.
It was a two-room hovel. The larger room, dominated by an oven, was the bakery, and the other, separated by a flimsy curtain, was his bedroom. The bottom of the oven was covered with smooth pebbles. He was explaining to me how the bread baked on these heated pebbles when the nasal call of the muezzin wafted through the air from the mosque. I knew it was the call to prayer, but I didn’t know what it entailed. I imagined it beckoned the Muslim faithful to the mosque, much like bells summoned us Christians to church. Not so. The baker interrupted himself mid-sentence and said, “Excuse me.” He ducked into the next room for a minute and returned with a rolled-up carpet, which he unfurled on the floor of his bakery, throwing up a small storm of flour. And right there before me, in the midst of his workplace, he prayed. It was incongruous, but it was I who felt out of place. Luckily, he prayed with his eyes closed.
He stood straight. He muttered in Arabic. He brought his hands next to his ears, thumbs touching the lobes, looking as if he were straining to hear Allah replying. He bent forward. He stood straight again. He fell to his knees and brought his hands and forehead to the floor. He sat up. He fell forward again. He stood. He started the whole thing again.
Why, Islam is nothing but an easy sort of exercise, I thought. Hot-weather yoga for the Bedouins. Asanas without sweat, heaven without strain.
He went through the cycle four times, muttering throughout. When he had finished—with a right-left turning of the head and a short bout of meditation—he opened his eyes, smiled, stepped off his carpet and rolled it up with a flick of the hand that spoke of old habit. He returned it to its spot in the next room. He came back to me. “What was I saying?” he asked.
So it went the first time I saw a Muslim pray—quick, necessary, physical, muttered, striking. Next time I was praying in church—on my knees, immobile, silent before Christ on the Cross—the image of this callisthenic communion with God in the middle of bags of flour kept coming to my mind.